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Most Indians will relate to the cartoons of the common man by RK Laxman published in the Times of India, and the political cartoons that adorn the cover page to engage the readers, and present them with “News of the Day”.
If we look carefully, it is easy to notice that the increasing popularity of caricatures stems from our ability to relate to them at a subconscious level.
As kids, it used to be fascinating to see large-headed, tiny body versions of so many renowned people from politicians to movie stars and recognize them despite their weird shapes. Most of us found out only much later, that this particular format and style is known as Caricature. In this article, I attempt to answer some of the questions you might have about caricatures. Let’s start with the basics.
Concept Digital Caricature for a client where the client wanted us to portray them as Shiva, and Parvati.
A caricature is a picture, description, or imitation of a person in which certain striking characteristics are exaggerated in order to create a comic or grotesque effect.
If you too skipped through the dictionary definition, let us understand it in simpler words.
A caricature is a drawing of a real person with features dramatized absurdly to entertain or make fun of (all in good humor) of the person so drawn. Some ways for dramatization are an oversized nose, squinted eyes, really large or too small lips, etc.
In the words of caricaturist Greg Bigoni, “A caricature gets to the essence of who someone is and not just what they look like, but what their personality is”.
Concept caricature we made for a client who wanted a unique Mother’s day gift.
If you look at any caricature you’ll notice a pattern. In every caricature pretty much all of the features of a person’s face or body are artistically modified, yet one can still recognize that person, and this is something that makes the art of drawing a caricature so unique.
One key element of drawing a good caricature is the ability to truly observe the key characteristics that define someone’s face. This is what is referred to as likeness. In other words, when we see a person, we see them just as we know them but a caricature artist can notice highlighting features of a person.
When caricature artists draw a person, they exaggerate the most prominent features and reduce the size of other features, bringing, even more, focus on the features they want to highlight. These along with a fine knowledge of how to balance overall distance, angle and proportions are few secrets of drawing caricatures.
Along with facial features, caricature artists also make use of how a person is shaped or holds them if they have any distinct props from tattoos to anything they carry with them in making the caricature really identifiable. Think of Abraham Lincoln’s Stovepipe hat, Mahatma Gandhi’s round spectacles, or Charlie Chaplin’s mustache. Staple associations like these, act as great props for fun caricatures.
Concept digital caricature we made for a client whose friend is an entrepreneur, and he wanted to surprise him with something really unique.
While caricature as an art form is centuries old, there isn’t a standard form of classification of different types of caricatures. Here we will talk about two methods of classifying caricatures; based on style and based on the method of execution:
Portrait or definition – This type of caricature relies on knowledge of sophistication of making a portrait and combining it with the knowledge of creating comical effect through inflation and deflation of features.
Satire – This form is most commonly used in political cartoons. It makes use of not just physical or personality traits but also draws attention to statements by such politicians. The purpose of such caricatures is more often than not to bring attention to political issues of the time.
Grotesque – As the name suggests, in this style, the face of a person is unnaturally distorted to make it look ugly. Grotesque art was the earliest form of distorted drawings which evolved later into caricatures.
Traditional Caricatures – This is how caricatures started and charcoal, pencil, pen, and ink drawings were the methods that were used. These are the tools that are used by street artists across the world for an instant sketch. So next time, when you visit Paris, remember to ask the artist if he is going to draw a portrait or a caricature of you 😉
Digital Caricatures– Graphics programs like adobe illustrator are numerous drawing tablets are becoming more and more popular these days. Digital caricature comes with the advantage of offering richness in color and feel of caricature making them an excellent option for gifting your friends or as digital wedding caricature invitations.
The old idiom, “The devil is in the details”, does not have a better suitor than this question. A professional caricaturist can make a sketched caricature of a person’s face in even under 5 minutes. However, the more details you add like body structure, surroundings, colors, etc., the longer it can take.
A hand-painted caricature with portrait-like details can take as much as two days. In short, it boils down to the intricacies of each piece that is being made.
There are two ways in which an artist makes a caricature –
1. Live Caricatures – Live caricatures are drawn for a live audience in real time. Live caricatures are less common and you’ll see street artists only in very few cities and tourist spots. Live caricatures are a hit or miss experience for most people because you can not check the artist’s previous work.
Working on Live caricatures is very challenging for the artist, and usually, live caricature artists are hired for corporate events and weddings.
2. Drawing a caricature from a picture, and presenting a custom theme – Most caricature artists these days practice creating caricatures in their free time where they are free to think and act creatively on a project without the constraint of time, and expectations.
For example – When you select an artist from us at Stoned Santa there is a certain process the artist will follow to bring life to the ideas as specified by our clients –
How to hire a Caricature artist?
If you are thinking of getting a birthday caricature for your friend at work or a digital wedding caricature for your special day, you can find a caricature artist that suits your requirements and pocket at Stoned Santa.
There are many independent artists who can draw one for you as per your specification, but Stoned Santa makes it very easy to find a reliable and experienced caricature artist for you no matter which part of the world you need your caricature to be delivered.
If you want to hire a caricature artist from Stoned Santa, all you need to do is fill up this form, and our gifting experts will reach out to you.
Art is subjective and so are the prices for any art piece. As vague as it may sound the prices of a digital caricature are dependent on factors like –
1. The number of people or characters to be drawn – This includes humans, pets, and any other objects such as monuments, and buildings that are to be drawn with precision, and care.
2. Experience & Work Portfolio – Senior artists with years of experience, and expertise may charge 10 times than that of a beginner who’s just begun their journey as an artist. There are many caricature artists in India, and the costs vary dynamically from artist to artist.
3. The style to be chosen – Physically made caricatures cost more than digitally made caricatures. Often, the artists offer varying levels of detailing in their caricatures, which is a big factor in determining the costs.
4. Time Required – If clients have an urgent requirement, in such cases the artists usually charge a higher price, but if the timeline isn’t a problem in such cases it’s easier for the artists to accommodate their requests, and the artists usually offer discounts.
A caricature is a historical form of art. Caricaturists have been using this form to draw attention to political issues through political satires and to show their admiration of people they admire across fields.
From being used as a medium by artists, and poets to voice people’s opinions on newspapers, and magazines to being used as digital wedding invites, and gift for bosses, Caricatures as an art form has evolved to cater to the gifting requirements of individuals, and companies.
At Stoned Santa, we help you create unique caricatures that are designed as per your choices, in the timeframe that you desire.
Book your personalized caricature only at Stoned Santa.
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Born and brought up in Goa, Rohit Chari is an illustrator, artist, and artpreneur who runs Red Canvas Studios, a venture he started in 2016. In this creative studio, ideas come to life in art on different canvases such as walls, frames, and memories.
Rohit started playing around with sketches early in his school days where he’d draw, doodle, and soon enrolled into a full-time fine arts course where he learned traditional art forms and techniques in a formal setup. Today Rohit caters to special art commissions where he draws beautiful caricatures, paints on walls, has his line of merchandise; in short, he’s found his passion and made a living out of it.
In this interviews, Parth interviewed Rohit, where they talk and explore the world of being an artist, an entrepreneur, and suggestions for the fellow community of artists and creators.
Well, the first few projects were majorly for friends, and I did them for free. But the first paid project came to me as a surprise. I had made a digital caricature for a photographer friend, and I think after minutes of it posting, it went viral in our little friend circle.
Everyone wanted to know who made this caricature, and there I was flooded with requests, most of them free, but some of them translated into orders, and that’s how I kick started my Freelance career as a Digital Caricature artist.
Under pricing and not being able to strike that early balance where I get quality clients who pay decently were the initial challenges I faced. I think the first few paid projects, I was underpaid, but then I guess that’s all a learning process.
When I realized I was charging lesser, I decided to increase my prices, but then the clients stopped coming in. With time, I reached a sweet spot where the clients are comfortable, which allows me to be satisfied. I think the sweet spot of pricing your art “just right” can be determined only by talking to customers, and this process takes time.
How do you explain Digital Art to your customers?
I was introduced to digital art years after graduating with a degree in Art, so I am very empathetic to my customers when I explain to them about Digital Art or Digital caricatures to help them understand and appreciate the process of creation.
Many people think making caricatures digitally is when the artist uses some apps or simply traces it, but that’s not how it works. Usually, when I encounter clients who do not know much about Digital Art, or the creation process, I educate them first about this art form because this helps set the expectations right and makes the process of creation and approval smoother.
I walk my customers through the process, share the work in progress pictures with them, answer their queries before starting work; I think this has many advantages, and the client’s chances of negotiating to go down significantly.
I decide the cost of my caricatures based on the combination of the following factors, and a lot of times, if the order is to required urgently, there’s an added cost.
With celebrities, I have the freedom to experiment, exaggerate, and let my creative juices flow, but I have to be very careful with client projects. People want to look cute but not funny.
I think there’s a nice balance, where I get paid for the commissioned work I do and the time I have left after such projects; I experiment, play around with colors, strokes, and let my ideas flow without being constricted by the client’s expectations.
(Rohit has created fan art versions of famous Netflix TV shows like – Money Heist, Scared Games, etc.)
I like both forms of art – Making digital caricatures and murals, both of their unique charm, and I thoroughly enjoy working on both mediums.
Still, the outcome of completing a mural is much more gratifying than a caricature, primarily because of the heavy hard work required to create a mural.
First, we prepare a design based on the input given by the client and then get the digital design approved; post this, the digital design is transposed to the wall. This process from idea to execution takes 3-4 days, or more, depending on the size of the wall. But I love working on murals. I usually start early and work in sprints to finish it as per the agreed timelines.
When the project is big, I collaborate with other artists, and it’s fun working on such projects.
I’ll be honest, early in my career, I’d get offended easily and react, saying, “if you like their work, go buy from them,” but now I try to explain to them the reason for the difference and explain to them my art process.
Well, I love to skateboard, and I represented my state in Skateboarding back in the days, and I think I found a lot of artists from the skateboarding community. Skateboards are usually hand-painted, uniquely communicating what the owner wishes to with colors and visuals.
I’ve got many gigs because of the community, and I think having a hobby is an excellent release to your creative juices, but in a different environment.
I aspire to work with more prominent brands where my skills are tested. I meet fellow creators, and I learn and grow while doing so. I have worked with some very famous brands in the past, and I look forward to working with more brands as I grow as an artist.
Digital art is comparatively easy when you are tracing it, but I would strongly recommend against it. Try to draw it manually instead of tracing, and it’ll help you in the longer run.
If you want to draw caricatures, don’t immediately jump into drawing caricatures. Start by drawing portraits; it’ll help you understand the human face anatomy better. Once you’ve mastered that part, it’s easier to play around with human facial features to make fun caricatures.
Rohit concludes the interview by saying, “I would just say, support all the artists, because this is a small business we are into, but when the audience supports us, we can prosper. And I would request you to respect the artists, try to understand them, and value their efforts.”
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Sameera Maruvada is a freelance illustrator based in Visakhapatnam who turned pastime doodling into her career. She is also the creator of a web-comic series called “Salt and Sambar” through which she aims to spread awareness on different social issues in a humorous way with a bit of cultural touch.
She aims to inspire young artists to pursue their passion for art through her Youtube channel – Saminspire , which has over 3.8 million views.
Read on more to find out about Sameera’s artistic journey.
Were you inclined towards art, right from your childhood or did you develop the passion over the years?
Drawing is something that came naturally to me. Ever since I was a kid I have been engrossed in drawing and coloring. I used to love participating in art competitions, I also used to win a lot of them. This did not change even after I grew up.
How did you start cartooning? What made you pursue it?
Initially, I never had cartooning on my mind. I used to mostly experiment with oil pastels, and I’ve been creating YouTube videos for the past five years.
After completing my interior designing course, I was extremely clueless about what to do next and that’s when I started drawing comics. I have always drawn cute characters for greeting cards, and I love storytelling. So, comics were the perfect mix of both.
Many of your comics are in Telugu. How have the audience reactions been?
When I started creating comics in Telugu, the primary reason was not to promote my culture or language, but it was mostly because I could express certain feelings only in my mother tongue. Adding on to it, certain phrases sound good only in a particular language.
When I started making comics in Telugu, I never expected many people to understand it. However, many Telugu-speaking-people from different parts of the world could relate to it and I’m glad I could make them feel home.
How did you come up with the name “ Salt and Sambar”?
I always wanted to give a south Indian touch to the name of the comic series. I initially thought of calling it “Idli & Sambar”, but that name was already taken. That’s when “Salt & Sambar” struck me.
There’s a phrase from a famous Telugu movie called “Aha Naa-Pellanta” which inspired me to choose this name.
Are you a full-time artist? If yes, how has the journey been?
Yes, I am a full-time artist. I take up freelance projects, conduct workshops and also have a youtube channel where I teach simple drawings with oil pastels, DIY art and crafts and the basics of coloring.
Although being a freelancer is definitely not easy, if you work hard enough it’s as good as any other profession.
Where do you derive inspiration for your comics from?
Most of my comics are based on real-life experiences. There are certain messages that I want to spread through my comics. For instance, I want to show how students are pressurised into taking IIT-JEE or similar entrance tests, and how girls are expected to marry after a certain age.
I try to address these social issues in a humorous way, with a cultural touch.
Who are some of the artists whom you look up to?
These are some of my personal favorites – Rohan Chakravarty, Alicia Souza, Bill Watterson, Foxtrot, Sarah Andersen and Marloesdevee.
What are the problems that you face as a freelancer, and how do you think viewers can help?
I strongly feel that in India, freelancers are undermined. Nobody views art as a lucrative career choice. This mindset must change.
When it comes to supporting artists, people can support artists on this website called ‘Patreon’. Again, this is a very unfamiliar concept in India. People are charged a nominal amount every month to support their favourite artists. In return, you will be given exclusive rewards, like newsletters, early updates, merchandise and more. This helps the artists to not depend entirely on freelance projects for their income and helps them focus more on creating original art.
What advice would you give to the budding artists?
No one should pursue what they don’t like just because they are being pressured by their friends, family or society.
I wish that by looking at artists like us, they should realize that art as a profession isn’t less than any other, and if you are persistent you will do great.
Even if you have to take up a day job to make your ends meet, you should always make time for doing what you love, and never let go of the passion.
Thoughts about Stoned Santa?
Helping artists get recognized and helping them reach many people is a wonderful idea. I really hope that Stoned Santa does well in the future.
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Rohan Chakravarty, the creator of Green Humour, a comic series on wildlife conservation and awareness is a brilliant cartoonist and an illustrator. His comic strips are not only published in The Hindu, Mid-day, Round Glass and many other wildlife journals, but they are also extremely popular on Instagram.
From the polar bears of the Arctic, koalas of Australia to tigers of India, he spreads awareness on a wide range of wildlife species through humorous cartoons.
A dentist by education, Rohan transformed himself into an artist. Either way, his work puts a smile on our faces through hilarious, yet thought-provoking comics.
He says that no awards or accolades are more valuable than the actual impact that his comics have on his viewers.
Read more to find out about his journey.
When did you start making comics? How did you decide to pursue it?
Ever since I was a kid, I have been in the habit of drawing and cartooning. It is only after I made the mistake of choosing dentistry that I realized that it wasn’t my calling. Soon after, I worked at various media houses and animation studios for a few years. The experience of creating custom artwork for my clients helped me not only sustain myself as a full-time cartoonist, but also gave me deep insight into the world of design.
It’s been over 10 years since I started making comics, and 7 years since my work started getting published in the Print media, and I do not regret any of it.
Why did you choose wildlife as the central theme for your comics series – “Green Humour”?
Wildlife has been something that has fascinated me throughout my life. I was on a trip to one of the National Parks when I saw a wild tigress and I remember I was captivated by this beautiful majestic sight, that’s when I found my calling. I thought why not combine the two elements – Art and Wildlife, and “Green Humour” was born.
For someone like you whose comics are based on wildlife? How important is traveling?
Although I do not travel much as I’m conscious of the carbon footprint that is associated with it, certain projects demand my visit to the place, especially when I have to create illustrated maps of sanctuaries and parks.
However, I would definitely recommend traveling to artists. Personal experiences and first-hand information are incomparable with any other secondary source of information.
Have you seen every bird or animal which are illustrated in your comic series?
I have drawn a lot of animals that I haven’t seen or probably will never see. I derive inspiration from books or watching documentaries mostly.
Lately, you’ve also done a couple of comics on political satire? How have the responses been?
Certain issues had to be addressed. Many supported and liked the comics, while others started trolling. I would call it “Destructive Criticism”. After a point, you learn how not to pay heed to such trolls, you could say that it helps one in anger management.
Would you like to explore other verticals in comics apart from wildlife?
I have created comics on various themes in the past. But, I am not sure if I can do a good job at those. For now, I will continue making comics on wildlife.
What can one expect from the Art workshops you organize?
They’re basic cartooning workshops in which I guide participants through the process of creating comics, from drawing characters, capturing expressions to compiling all the elements to make complete sense which could help you create a comic strip.
Could you name some artists you look up to?
Well, this could take some time. But, here are some on top of my mind – Gary Larson, Bill Watterson, Patrick McDonnell. When it comes to Indian Artists, R K Laxman and Maya Kamath are some of my favorites.
If you were to go back in time and change a decision what would it be?
Although I’ve no regrets as such, I think I should have explored the internet better. I see a lot of young artists creating content regularly and posting them. For someone like me who is excessively dependent on Print Media, the Internet is challenging. Sometimes, I feel like I have a generation gap with the new artists.
How do you think artists and freelancers have been affected by the pandemic? How do you think people can support them?
Artists and small businesses have definitely been affected big time. Many artists like me are dependent on Print Media, but due to the pandemic the print industry has taken a major hit and is running short of Ad money, hence there might be layoffs; NGOs that collaborate with artists are lacking funds at the moment; Book launches and releases have been postponed for months together.
I think this is the time when you can grow your business online. Learning how to monetize digital consumption of art is a very important skill to learn. Companies like Stoned Santa should play an important role in helping the artists to enable the same.
Answering the latter question, people can support fellow artists through Online patronages.
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Saloni Patel is an Illustrator, Designer and a Cartoonist who goes by the name of “Moody Moo” on Instagram and has close to 54k followers. Her Illustrations revolve around her daily life, her favorite TV show characters, and the adventures of her pet dog, making her designs quirky and exclusive.
Saloni aims to spreads positivity through her colourful illustrations with soul-stirring quotes.
Although she completed her Bachelors in management studies, she went on to pursue her passion and completed her MA in graphic designing from the United Kingdom. Although it was not an easy choice, she says, “Nothing worth having ever comes easy.”
Here are some excerpts from when we caught up with her for a quick chat.
How do you perceive art?
Art can mean differently to everyone. I view art as a form of self expression.
Why the name “moodyymoo”?
‘Moody’ because I am a moody person and ‘Moo’ because I’ve always been a chubby child. Thus! It’s just a silly name that I coined.
Your Illustrations are quirky, yet send a very strong message. What inspires you to do these?
I draw inspiration from my personal experiences – something I witness or read, daily routine, mood swings, Simba – my pup or pretty much anything that I find to be intriguing.
To what extent does your pet have an impact on your art?
He keeps my vibrations high, which is very important for creative juices to flow and the things that he does definitely give me content for my work/comics.
How have criticisms helped you shape your career?
Mindless criticism has never helped, but constructive criticisism is always welcomed and has definitely helped me reflect on my drawing style, and improve.
How has your perception of seeing things changed after illustrating for such a long time?
Over the years, I have developed a keen eye for details. I no longer just view things as they are, but I’ve learned to observe any person or thing astutely.
How do you deal with a creative block?
Taking a break from work definitely helps when you’re having a creative block. I beat myself over it for a bit and then, I watch something inspiring; take a nap; have a snack and get back to what I do best – Creating Art.
Many of your illustrations are based on TV shows. If you were to be a character of a TV show, which one and why would that be?
I really find Sheldon Cooper very fascinating and quirky. I adore his character and would love to be him.
Why? Because I want to know what it would like to live with an OCD and have a brilliant mind with eidetic memory.
If you were to learn a new art-form, which one would it be?
I want to try learning pole dancing or aerial Yoga!
Lastly, what advice would you give for the upcoming artists?
Nothing worth having comes easy. You’ve got to be patient, diligent and open to learning new techniques. Stay up to date with latest trends, softwares & tools. Be nice to people – your fellow artists, your clients, your community, your followers and haters even (be nice by ignoring the haters).
Learn the tricks of the trade because social media is a great platform to promote your work. Have faith and don’t lose hope even if initially you don’t get projects. With passion and determination, you’ll get there, slowly but surely .
Most importantly: Create, create and create – every single day. That’s the only way you’ll get there!
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