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Meet Aniruddha Lele, an illustrator and a caricature artist

Meet Aniruddha Lele, an illustrator and a caricature artist

Meet Aniruddha Lele – an illustrator, caricature artist and a comic creator

Aniruddha Lele is a versatile artist who creates beautiful digital portraits, concept art, illustrations, and caricatures. He  spent his childhood doodling anything and everything and as he got older, his desire and passion for art only grew furthermore.

From creating personalized artwork for clients to designing illustrations for books and publications, Aniruddha speaks to us about his artistic endeavor.

Every artist has their own definition of art. What is yours?

I view art as a medium to express my thoughts. For some, it could be writing or music, but for me, it’s always been drawing and painting.

Were you inclined towards art, right from your childhood or did you develop the passion over the years? 

I come from a family of artists. When I was about 2-3 years old, my mother gave me a piece of chalk and I started drawing all over the floor. Ever since then, I’ve been inclined towards art.

Are you self-taught? If yes, how has the journey been? 

My mom was my first teacher, she taught me the basics of drawing right from a very young age. I also used to refer to a lot of drawing books. The journey has been absolutely wonderful.

How were you introduced to illustrations? What made you pursue it? 

I joined a Fine arts college after my 12th to pursue BFA. This helped me explore many facets of commercial art, some of which being illustrations for books, storyboarding and concept art.

How do you think technology has changed the dynamics of art? 

Technology has made it extremely convenient for artists to deliver quick results and address clients’ requirements. Being a commercial artist means making several changes on a particular art piece according to client’s feedback. This would have been a very lengthy process had it not been digital .

Technology has also made it much easier to learn and sharpen our skills from the abundant resources available online. We can also see the works of industry veterans on Instagram and interact with them. 

Which are some of the interesting projects that you are working on? 

I love working on children’s books. I did a project with the SuperKids League and Womanarelit.com to create storybooks for kids. I consider these two projects to be very dear to me.

Another project worth mentioning is a collaboration I did with Mocktale Drinks to design their packaging material and Instagram feed.

Can you name some of the artists whom you look up to?
Lois Von Barle, Bobby Chiu, Prasad Bhat, Dylan Bonner,  

How is a typical day in the life of an illustrator?
Few days are really hectic and the few days are very relaxed. Working from home can make you lazy and unproductive because of all the distractions. At the same time, there are no fixed timings and you will have to stay up all night to complete certain projects.

What are the problems that you face as a freelancer? How do you think people can support artists? 

Working on freelance projects makes it hard to have a steady income. The work can also get so grueling at times, that we hardly have a social life.

What advice would you give to the budding artists? 

Keep practicing and creating. We need to limit our focus on consuming information through TV, phone and instead focus more on creating art.

What exciting plans do you have in the coming years? 

My wife and I have been working on an interesting venture called Tooti Frooti Comics where we create humorous comics revolving around couples. We are soon going to launch a website as well.

Throughout your journey, who has been your biggest support? 

My parents and my wife have been the biggest support.

What are your thoughts on Stoned Santa? 

I think it’s a great platform for artists to showcase their talent and earn. 

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Meet Sameera Maruvada – The creator of ‘Salt and Sambar’

Meet Sameera Maruvada – The creator of ‘Salt and Sambar’

Meet Sameera Maruvada, the creator of ‘Salt & Sambar’

Sameera Maruvada is a freelance illustrator based in Visakhapatnam who turned pastime doodling into her career. She is also the creator of a web-comic series called “Salt and Sambar”  through which she aims to spread awareness on different social issues in a humorous way with a bit of cultural touch.

She aims to inspire young artists to pursue their passion for art through her Youtube channel – Saminspire , which has over 3.8 million views.

Read on more to find out about Sameera’s artistic journey.

Were you inclined towards art, right from your childhood or did you develop the passion over the years?

Drawing is something that came naturally to me. Ever since I was a kid I have been engrossed in drawing and coloring. I used to love participating in art competitions, I also used to win a lot of them. This did not change even after I grew up.

How did you start cartooning? What made you pursue it?

Initially, I never had cartooning on my mind. I used to mostly experiment with oil pastels, and I’ve been creating YouTube videos for the past five years. 

After completing my interior designing course, I was extremely clueless about what to do next and that’s when I started drawing comics. I have always drawn cute characters for greeting cards, and I love storytelling. So, comics were the perfect mix of both.

Many of your comics are in Telugu. How have the audience reactions been?

When I started creating comics in Telugu, the primary reason was not to promote my culture or language, but it was mostly because I could express certain feelings only in my mother tongue. Adding on to it, certain phrases sound good only in a particular language.

When  I started making comics in Telugu, I never expected many people to understand it. However, many Telugu-speaking-people from different parts of the world could relate to it and I’m glad I could make them feel home. 

How did you come up with the name “ Salt and Sambar”?

I always wanted to give a south Indian touch to the name of the comic series. I initially thought of calling it “Idli & Sambar”, but that name was already taken. That’s when “Salt & Sambar” struck me.

There’s a phrase from a famous Telugu movie called “Aha Naa-Pellanta” which inspired me to choose this name.

Are you a full-time artist? If yes, how has the journey been?

Yes, I am a full-time artist. I take up freelance projects, conduct workshops and also have a youtube channel where I teach simple drawings with oil pastels, DIY art and crafts and the basics of coloring.

Although being a freelancer is definitely not easy, if you work hard enough it’s as good as any other profession.

Where do you derive inspiration for your comics from?

Most of my comics are based on real-life experiences. There are certain messages that I want to spread through my comics. For instance, I want to show how students are pressurised into taking IIT-JEE or similar entrance tests, and how girls are expected to marry after a certain age.

I try to address these social issues in a humorous way, with a cultural touch.

Who are some of the artists whom you look up to?

These are some of my personal favorites – Rohan Chakravarty, Alicia Souza, Bill Watterson, Foxtrot, Sarah Andersen and Marloesdevee.

What are the problems that you face as a freelancer, and how do you think viewers can help?

I strongly feel that in India, freelancers are undermined. Nobody views art as a lucrative career choice. This mindset must change.

When it comes to supporting artists, people can support artists on this website called ‘Patreon’. Again, this is a very unfamiliar concept in India. People are charged a nominal amount every month to support their favourite artists. In return, you will be given exclusive rewards, like newsletters, early updates, merchandise and more. This helps the artists to not depend entirely on freelance projects for their income and helps them focus more on creating original art.

What advice would you give to the budding artists?

No one should pursue what they don’t like just because they are being pressured by their friends, family or society. 

I wish that by looking at artists like us, they should realize that art as a profession isn’t less than any other, and if you are persistent you will do great. 

Even if you have to take up a day job to make your ends meet, you should always make time for doing what you love, and never let go of the passion.

Thoughts about Stoned Santa?

Helping artists get recognized and helping them reach many people is a wonderful idea. I really hope that Stoned Santa does well in the future.

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Meet Bijay Biswaal, whose paintings traveled the world

Meet Bijay Biswaal, whose paintings traveled the world

Meet the Railwayman – Artist Bijay Biswaal, whose paintings traveled the world

Artist – Bijay Biswaal, quit his full-time job with the Indian Railways to pursue his career in art full-time and is now famous for his work across the world. 

We learned about his humble beginnings and his transition from a railwayman to a world-famous painter who has traveled the world creating art and spreading joy.

Every artist has their unique definition of art. What is yours?

I have never tried to define art, it’s not something that can be explained in words or phrases. It’s felt by the heart, and not the mind. For me Art is a form of expression, a form of passion with no boundaries. Art makes me truly happy.

How did you get started with art? 

When I was 3 or 4, I remember picking up burnt wood charcoal from the earthen stoves my mom would cook on, painting the walls of my house and getting scolded by my mother. As a child, I would pick any surface and start drawing and doodling.

When I joined the school I started scribbling on the slate with chalk, and I would end up drawing something or the other, irrespective of the surface. Art came to me naturally.

How did you choose Train as a subject for your paintings? 

I was posted in the Indian Railways, and the majority of my work involved spending time in the trains and the platforms, and I think I did not choose the train, it chose me. 

When I started painting trains, a lot of my friends told me – It is such a boring and metallic thing to paint, but I did not pay attention to that, and soon enough Trains have become a world-famous genre in painting. 

I think sometimes Subjects choose you, and sometimes Art chooses you. 

Where do you draw your inspiration from? 

Nature and music. I sometimes end up painting 8-9 hours in my studio listening to music, while I groove my body and the paintbrush on a canvas, and I think there is a spiritual connection, and that is my moment of ecstasy. 

How did you know it’s time to take art full-time and decided to take retirement from the Railways?

It was always in my mind, all I wanted was to paint. It would break my heart when I had to leave my canvases empty and go to work. I would wait for my shifts to get over so that I could go back and paint, no matter what time it was, I would never sleep with an incomplete canvas. Never! 

My wife –Pranati Biswaal, played a huge role in helping me gather the strength and the courage to take this decision because she always believed in me.

Talking about your transition from a traditional job to a totally different field – Art? 

I have always focused on my academics, and I am a MA First Class Degree holder, with a legal degree. I have always wanted to be financially secure so that I did not have to burden my father financially to buy me paint or canvas. 

The railways have always been very supportive of my art, and I think the best gift I got from my time serving the Indian Railways, was the exposure I got to the places of India, and the people around, it helped me discover my style. 

What sacrifices have you made to become what you are today? 

I would paint like a mad man, people would know me as the mad railwayman who paints all the time. Looking back, I realized I have always prioritized painting over cups of tea, a game of cards, or sleep. 

I wouldn’t call them sacrifices, because it never felt like one. 

“Best moment was to quit my job to pursue art full-time”

Best moments in life? 

Oscar moment when PM mentioned about me and my work in his “Mann ki Baat” in 2015. Another iconic moment for me was when Suresh Prabhu, Railway Minister invited me to “Rail Vikas Shivir”, and I was given one dedicated pavilion for Art. 

Speaking to him I put up my request to gift one of my paintings to our Prime Minister –  Narendra Modi, and when Mr. Modi saw it, he said “Biswaal Ji Nagpur Waale”, I have seen this painting several times on the internet, and seeing this in real life makes me truly happy. 

The same painting made history in 2018 when it was auctioned by the National Gallery of Modern Art – NGMA, Delhi for raising funds for the Namami Ganga Project.

What are your thoughts Corona and its impact on your work?

The best time to create art and this is the best time for me. I am truly happy to find this time to create and experiment with a lot of styles I earlier couldn’t because of other engagements I would have. 

Although I wouldn’t mind if I am locked down for another 6 months. However, I hope this gets over soon, and humanity is back to its usual track.  

How did you get started with the idea of hosting Art workshops, and what can one expect from such workshops? 

I love the ambiance that workshops give me. I have been to countries like Russia, Qatar, Nepal, Mauritius and so many more. Looking back I realize, I never planned for this. All these opportunities came to me, and I was happy to take these opportunities up. 

If you have the quality, you will be found. All you have to do is continue doing what you love with no strings and expectations attached to the outcome(s).

My main focus has always been to keep it simple. I truly enjoy sharing my experience with the people who come to experience art with me.

Throughout your journey, who has been your biggest support?

My wife is like a pillar of strength. She has always fuelled me with a lot of passion, and if I have to credit someone for where I am today, it would be my wife – Pranati Biswaal. 

She always wanted me to pursue art full-time, she’d always given me the support and the positive vibes I ever needed. I am grateful to her for everything. 

Art as a therapy? 

I am the happiest man, I am so positive, always. Whenever I am in my studio, I forget everything, I am transported to another dimension altogether. Paintings aren’t just colors, they are stories. 

Let’s take watercolor as a beautiful medium, all you need to do is put color on paper, and they blend to create a flavor that will make you feel ecstatic. I always compare watercolor to a game of 20-20 cricket, which is active, lively and gives you tremendous satisfaction. 

Any common man can experience this ecstasy, people suffering from dyslexia, or ADHD or concentration, you can engage people for longer if they are given colors. 

How do you think technology has changed the dynamics of art? Tradition and Technical? 

Gone are the days when you will have to find Buyers or approach Art galleries to showcase or sell your work. You are a couple of clicks away from potentially reaching millions with no one to stop you. 

Which are some of the most memorable projects that you have worked on?

I was in Hojer, Denmark, the only Indian artist to be invited to paint their historical sites, old barns, and distilleries. I would have made 23 paintings (Plane Air – Doing it live), the owners of the gallery that hired me would take me to different locations, we would have breakfast, and brunch, and go back in the evening. 

That feeling of capturing the rich culture of a place was ecstatic.

Have you ever felt an Art Block? How do you recommend artists to get over such creative blocks? 

Artists say I feel an Art block, writers say Writer block, people say I don’t have a mood to paint. But I am always in the mood to paint, even if I don’t want to. I will sit on the canvas and put in work to see the magic happen. 

“Just do it”, inspiration and motivation will come to you when you’re in the flow, for that state of flow you have to start, Right? 

What advice would you give to the budding artists?

Paint only if it makes you happy. Don’t add hopes to it – Will I be famous?  Will I be able to sell? Will I be able to find my own style? Put your head down and draw and sketch. 

Make as many as 20 sketches a day. Not masterpieces, just sketches and doodles.

“When asked how many artworks you would have drawn, I would have made millions of drawings and art forms”.

How can an artist discover their unique style?

The finest compliment an artist can get – “ I can identify your artwork without looking at the signature”, and I think this only comes with a lot and a lot of experience. The more you do, the closer you are to your own style. 

If you are always looking to discover your style, you will never find it. The key lies in doing what you do every day, and one day your style will find you. 

What are your thoughts on Stoned Santa?

Innovative, the fact that you are trying to show the world that Art can be gifted to people. Elegant endeavor and I hope you keep inspiring and helping more and more artists. 

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Meet the creator of Green Humour, Rohan Charkravarty

Meet the creator of Green Humour, Rohan Charkravarty

A comical twist to the wild –An interview with the creator of Green Humour

Rohan Chakravarty, the creator of Green Humoura comic series on wildlife conservation and awareness is a brilliant cartoonist and an illustrator. His comic strips are not only published in The Hindu, Mid-day, Round Glass and many other wildlife journals, but they are also extremely popular on Instagram.

From the polar bears of the Arctic, koalas of Australia to tigers of India, he spreads awareness on a wide range of wildlife species through humorous cartoons.

A dentist by education, Rohan transformed himself into an artist. Either way, his work puts a smile on our faces through hilarious, yet thought-provoking comics.

He says that no awards or accolades are more valuable than the actual impact that his comics have on his viewers. 

Read more to find out about his journey.

When did you start making comics? How did you decide to pursue it?

Ever since I was a kid, I have been in the habit of drawing and cartooning. It is only after I made the mistake of choosing dentistry that I realized that it wasn’t my calling. Soon after, I worked at various media houses and animation studios for a few years. The experience of creating custom artwork for my clients helped me not only sustain myself as a full-time cartoonist, but also gave me deep insight into the world of design.

It’s been over 10 years since I started making comics, and 7 years since my work started getting published in the Print media, and I do not regret any of it.

Why did you choose wildlife as the central theme for your comics series – “Green Humour”?

Wildlife has been something that has fascinated me throughout my life. I was on a trip to one of the National Parks when I saw a wild tigress and I remember I was captivated by this beautiful majestic sight, that’s when I found my calling. I thought why not combine the two elements – Art and Wildlife, and “Green Humour” was born.

For someone like you whose comics are based on wildlife? How important is traveling?

Although I do not travel much as I’m conscious of the carbon footprint that is associated with it, certain projects demand my visit to the place, especially when I have to create illustrated maps of sanctuaries and parks.

However, I would definitely recommend traveling to artists. Personal experiences and first-hand information are incomparable with any other secondary source of information. 

Have you seen every bird or animal which are illustrated in your comic series?

I have drawn a lot of animals that I haven’t seen or probably will never see. I derive inspiration from books or watching documentaries mostly.

Lately, you’ve also done a couple of comics on political satire? How have the responses been?

Certain issues had to be addressed. Many supported and liked the comics, while others started trolling. I would call it “Destructive Criticism”. After a point, you learn how not to pay heed to such trolls, you could say that it helps one in anger management.

Would you like to explore other verticals in comics apart from wildlife?

I have created comics on various themes in the past. But, I am not sure if I can do a good job at those. For now, I will continue making comics on wildlife.

What can one expect from the Art workshops you organize?  

They’re basic cartooning workshops in which  I guide participants through the process of creating comics, from drawing characters, capturing expressions to compiling all the elements to make complete sense which could help you create a comic strip.

Could you name some artists you look up to?

Well, this could take some time. But, here are some on top of my mind – Gary Larson, Bill Watterson, Patrick McDonnell. When it comes to Indian ArtistsR K  Laxman and Maya Kamath are some of my favorites. 

If you were to go back in time and change a decision what would it be?

Although I’ve no regrets as such, I think I should have explored the internet better. I see a lot of young artists creating content regularly and posting them. For someone like me who is excessively dependent on Print Media, the Internet is challenging. Sometimes, I feel like I have a generation gap with the new artists.

How do you think artists and freelancers have been affected by the pandemic? How do you think people can support them?

Artists and small businesses have definitely been affected big time. Many artists like me are dependent on Print Media, but due to the pandemic the print industry has taken a major hit and is running short of Ad money, hence there might be layoffs; NGOs that collaborate with artists are lacking funds at the moment; Book launches and releases have been postponed for months together.

I think this is the time when you can grow your business online. Learning how to monetize digital consumption of art is a very important skill to learn. Companies like Stoned Santa should play an important role in helping the artists to enable the same.

Answering the latter question, people can support fellow artists through Online patronages.

Lastly, what advice would you give to the budding artists?
“The best advice I can offer to budding cartoonists including myself, is to never let that child with a taste for nasty and offensive humour die within them”.

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Meet Saloni Patel, an illustrator, designer and a cartoonist.

Meet Saloni Patel, an illustrator, designer and a cartoonist.

Meet Saloni Patel, an Illustrator, Designer and a Cartoonist

Saloni Patel is an Illustrator, Designer and a Cartoonist who goes by the name of “Moody Moo” on Instagram and has close to 54k followers. Her Illustrations revolve around her daily life, her favorite TV show characters, and the adventures of her pet dog, making her designs quirky and exclusive. 

Saloni aims to spreads positivity through her colourful illustrations with soul-stirring quotes.

Although she completed her Bachelors in management studies, she went on to pursue her passion and completed her MA in graphic designing from the United Kingdom. Although it was not an easy choice, she says, “Nothing worth having ever comes easy.”

Here are some excerpts from when we caught up with her for a quick chat.

How do you perceive art?
Art can mean differently to everyone. I view art as a form of self expression.

Why the name “moodyymoo”?

‘Moody’ because I am a moody person and ‘Moo’ because I’ve always been a chubby child. Thus! It’s just a silly name that I coined.

Your Illustrations are quirky, yet send a very strong message. What inspires you to do these?

I draw inspiration from my personal experiences – something I witness or read, daily routine, mood swings, Simba – my pup or pretty much anything that I find to be intriguing.

To what extent does your pet have an impact on your art?

He keeps my vibrations high, which is very important for creative juices to flow and the things that he does definitely give me content for my work/comics.

How have criticisms helped you shape your career?

Mindless criticism has never helped, but constructive criticisism is always welcomed and has definitely helped me reflect on my drawing style, and improve.

How has your perception of seeing things changed after illustrating for such a long time?

Over the years, I have developed a keen eye for details. I no longer just view things as they are, but I’ve learned to observe any person or thing astutely.

How do you deal with a creative block?

Taking a break from work definitely helps when you’re having a creative block. I beat myself over it for a bit and then, I watch something inspiring; take a nap; have a snack and get back to what I do best – Creating Art. 

Many of your illustrations are based on TV shows. If you were to be a character of a TV show, which one and why would that be?

I really find Sheldon Cooper very fascinating and quirky. I adore his character and would love to be him.

Why? Because I want to know what it would like to live with an OCD and have a brilliant mind with eidetic memory. 

If you were to learn a new art-form, which one would it be?

I want to try learning pole dancing or aerial Yoga!

Lastly, what advice would you give for the upcoming artists?

Nothing worth having comes easy. You’ve got to be patient, diligent and open to learning new techniques. Stay up to date with latest trends, softwares & tools. Be nice to people – your fellow artists, your clients, your community, your followers and haters even (be nice by ignoring the haters).

Learn the tricks of the trade because social media is a great platform to promote your work. Have faith and don’t lose hope even if  initially you don’t get projects. With passion and determination, you’ll get there, slowly but surely .

Most importantly: Create, create and create – every single day. That’s the only way you’ll get there!

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